Digital Music Research NetworkEPSRC Network GR/R64810/01 |
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DMRN+4: Digital Music Research Network One-day Workshop 2009Queen Mary, University of London
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10:30   |
Registration opens |
11:00 |
Welcome and opening remarks |
11:10 |
KEYNOTE “Shifting contexts for computer music, from mainframes to DIY culture”, Prof. Atau Tanaka (Newcastle University) |
11:50 |
“Max4Live: algorithmic composition and processing made easier”, Zlatko Baracskai (Birmingham City University) |
12:10 |
“B-Keeper: experiences in drum tracking”, Andrew Robertson and Mark Plumbley (Queen Mary University of London) |
12:30 |
“Answer set programming and algorithmic composition”, Georg Boenn (University of Glamorgan), Martin Brain, Marina De Vos and John ffitch (University of Bath) |
12:50 |
Buffet Lunch, Networking |
14:00 |
KEYNOTE "Signal processing methods for virtual analog synthesis", Prof. Vesa Välimäki (Helsinki University of Technology) |
14:40 |
“Semantic Audio in Advanced IPTV Terminal” , Panos Kudumakis (Queen Mary University of London) |
15:00 |
“From listening and learning to musical exoskeletons: recent work in live agents and interfaces at Sussex”, Nick Collins and Chris Kiefer (University of Sussex) |
15:20 |
Tea/Coffee |
15:40 |
“The Networked Environment for Music Analysis”, Stephen Downie (University of Illinois at Urbana-Champaign) |
16:00 |
“Fast, approximate music search using interleaved melodic automata”, Ian Knopke, (BBC) |
16:20 |
“Perception of deferred classification in real-time percussion”, Dan Stowell and Mark D. Plumbley (Queen Mary University of London) |
16:40 |
“Tools and toys for music informatics and musicology”, Mark Sandler (Queen Mary University of London) |
17:00 |
Panel Discussion |
17:30 |
Close* |
* - There will be an opportunity to continue discussions after the Workshop in a nearby Pub/Restaurant.
1   |
“Sliding with a constant Q”, Russell Bradford (University of Bath), Richard Dobson (Composer's Desktop Project) and John ffitch (University of Bath/Codemist Ltd) |
2 |
“Digital = Disembodied? : some preliminary research on the application of new media theory to digital sound”, Stacey Sewell (University College Falmouth) |
3 |
“The temperament ontology”, Dan Tidhar and Gyorgy Fazekas (Queen Mary University of London) |
4 |
“Clone detection for Max/MSP patch libraries”, Nicolas Gold, Jens Krinke and Mark Harman (King’s College London) and David Binkley (Loyola College, Maryland, US) |
5 |
“Music in the movies: an investigation into music search”, Charlie Inskip, Andy MacFarlane (City University London) and Pauline Rafferty (University of Aberystwyth) |
6 |
“Scalable temporal and spatial audio collection browser”, Rebecca Stewart and Mark Sandler (Queen Mary University of London) |
7 |
“Testing a prototype timbre morpher”, Duncan Williams and Tim Brookes (University of Surrey) |
8 |
“A Vamp plugin for musical instrument identification: towards the indexation of digital music collections”, Mathieu Barthet and Mark Sandler (Queen Mary University of London) |
9 |
“The intersection of computational analysis and music manuscripts: a new model for Bach source studies of the 21st century”, Masahiro Niitsuma and Yo Tomita (Queen’s University, Belfast) |
10 |
“An audience steerable automatic music director for online radio broadcast”, Benjamin Fields and Christophe Rhodes, (Goldsmiths University of London) |
A registration fee is payable, to cover room hire & refreshments.
Registration fees:
How to Register
Please register on-line, here.
Att. Panos Kudumakis
Centre for Digital Music
Queen Mary University of London
Mile End Road, London E1 4NS, UK
Tel: +44 (0)20 7882 5528
Fax: +44 (0)20 7882 7997
The Event will take place at the Arts Lecture Theatre, Queen Mary University of London, Mile End Road, London E1 4NS.
The venue is easily accessible by public transport. It is within a five minute walk of both Mile End Underground station (Central, District, and Hammersmith & City lines) and Stepney Green Underground station (District, and Hammersmith & City lines).
For travel information, see [opens in new window]:
Suggested hotels for staying before or after the workshop:
Last Updated: 9 March, 2010. © Queen Mary, University of London 2006 | ||