Digital Music Research NetworkEPSRC Network GR/R64810/01 |
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DMRN+6: Digital Music Research Network One-day Workshop 2011Queen Mary University of London
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10:30 |
Registration opens |
11:00 |
Welcome and opening remarks Prof. Mark Plumbley (Director, Centre for Digital Music, Queen Mary University of London) |
11:10 |
KEYNOTE "Building bridges - creating sustainable interdisciplinary collaborations between musicians and engineers", Prof. Elaine Chew (Queen Mary University of London) |
11:50 |
"Towards an understanding of the evolution of musical performance", Simon Tucker, Guy J. Brown, Adrian Moore, Mark A.C. Summers (University of Sheffield) |
12:10 |
"Electronic augmentation of the acoustic grand piano", Andrew P. McPherson (Queen Mary University of London) |
12:30 |
"Emotion classification in popular music: an interdisciplinary approach", Scott Beveridge (Fraunhofer Institute for Digital Media Technology, Ilmenau, Germany) |
12:50 |
Buffet Lunch, Networking |
14:00 |
"Audio source separation: status and challenges for music content processing", Pierre Leveau, Juan José Burred, Xabier Jaureguiberry (Audionamix Ltd, France) |
14:20 |
"Spatial Audio System for Surround Video", Martin J. Morrell (Queen Mary University of London) and Chris Baume (BBC) |
14:40 |
"Introducing Integra Live", Jamie Bullock and Lamberto Coccioli (Birmingham City University) |
15:00 |
"LIES - Live Interaction with Emergent Sound", Dario Sanfilippo (Conservatory of Naples, Italy) |
15:20 |
Tea/Coffee |
15:40 |
"Towards perfection, musically usable percussion transcription via convolutative NMF", Henry Lindsay-Smith (FXpansion Ltd) |
16:00 |
"Collecting metadata in the recording studio using the studio ontology framework", Gyorgy Fazekas and Mark B. Sandler (Queen Mary University of London) |
16:20 |
"Adapting metrics for music similarity using comparative ratings", Daniel Wolff and Tillman Weyde (City University London) |
16:40 |
"Real-time generation of music notation using algorithms and physical movement", Richard Hoadley (Anglia Ruskin University) |
17:00 |
Panel Discussion |
17:30 |
Close* |
* - There will be an opportunity to continue discussions after the Workshop in a nearby Pub/Restaurant.
1 |
"Anticipating authenticity in digital music", Colin G. Johnson (University of Kent) |
2 |
"Microphone interference reduction in live sound", Alice Clifford and Josh Reiss (Queen Mary University of London) |
3 |
"Supporting fluid interaction in audio mixing software", J. Mycroft, T. Stockman, J.D. Reiss and A. J. Wall (Queen Mary University of London) |
4 |
"Sustainable management of digital music research data", M. Fabiani, I. Damnjanovic, S. Dixon, C. Cannam and M. Plumbley (Queen Mary University of London) |
5 |
"Exploring network synchronicity and divergence in performance", Chad McKinney and Nick Collins (University of Sussex) |
6 |
"Alignment methods for folk tune classification", Ruben Hillewaere, Bernard Manderick (Vrije Universiteit Brussel) and Darrell Conklin (Universidad del País Vasco) |
7 |
"Polyphonic music transcription by modelling the temporal evolution of sounds", Emmanouil Benetos and Simon Dixon (Queen Mary University of London) |
8 |
"The wablet: scanned synthesis with multi-touch", Robert Tubb, Anssi Klapuri and Simon Dixon (Queen Mary University of London) |
9 |
"Audio features in film looming scenes", Sonia Wilkie and Tony Stockman (Queen Mary University of London) |
10 |
"IPlug framework", Oliver Larkin (University of York) |
11 |
"Designing AriVibes: controlling real-time sonic augmentation", Ariel Elkin (Centre for Creative Collaboration) |
12 |
"A content-based music retrieval system for Persian music databases", Pouyan Rafiei Fard, Mohammad Bahrani (Sharif University of Technology), Keyvan Yahya (University of Birmingham) and Hossein Sameti (Sharif University of Technology) |
13 |
"Automatic polyphonic transcription of Lute tablature", Reinier de Valk, Tillman Weyde, Christopher Wiley (City University London) and Tim Crawford (Goldsmiths University of London) |
14 |
"Symbolic melody classification using wavelets", Gissel Velarde and Tillman Weyde (City University London) |
15 | "Linking computational analysis to musicological concepts: a structured ontological approach", Kevin Page (University of Oxford), Benjamin Fields (Goldsmiths University of London), David De Roure (University of Oxford) and Tim Crawford (Goldsmiths University of London) |
16 |
"How to explore effects of music on emotional states and level of interest during human-robot interaction", Hamit Soyel and Peter W. McOwan (Queen Mary University of London) |
17 |
"Emerging music and media standards", Panos Kudumakis and Mark Sandler (Queen Mary University of London) |
18 |
"Automatic extraction of musical accent in monophonic music", Chunyang Song (Queen Mary University of London) |
19 |
"SoundSoftware: towards software reuse in audio and music research", Luis Figueira, Chris Cannam and Mark Plumbley (Queen Mary University of London) |
20 |
"A computational model of emotionally expressive musical features", Marcelo Caetano and Frans Wiering (IRCAM, France) |
A registration fee is payable, to cover room hire & refreshments.
Registration fees:
How to Register
Please register on-line, here.
Att. Panos Kudumakis
Centre for Digital Music
Queen Mary University of London
Mile End Road, London E1 4NS, UK
Tel: +44 (0)20 7882 5528
Fax: +44 (0)20 7882 7997
The Event will take place at the Arts One Lecture Theatre, Queen Mary University of London, Mile End Road, London E1 4NS.
The venue is easily accessible by public transport. It is within a five minute walk of both Mile End Underground station (Central, District, and Hammersmith & City lines) and Stepney Green Underground station (District, and Hammersmith & City lines).
For travel information, see [opens in new window]:
Suggested hotels for staying before or after the workshop:
Last Updated: 12 September, 2012. © Queen Mary, University of London 2006 | ||