Digital Music Research NetworkEPSRC Network GR/R64810/01 |
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DMRN+5: Digital Music Research Network One-day Workshop 2010Queen Mary, University of London
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10:30
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Registration opens |
11:00
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Welcome and opening remarks |
11:10
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KEYNOTE "Fingers in the dyke: Can there be a viable market for digital music ?", Prof. John Darlington (Imperial College London) |
11:50
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"SoundSoftware.ac.uk: Sustainable software for audio and music research", Mark D. Plumbley, Chris Cannam and Luis Figueira (Queen Mary University of London) |
12:10
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"The role of social network in digital music", Gian Maria Girardi and Francesco Fraioli (Thounds Ltd) |
12:30
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"A principled approach to music information retrieval systems using web architecture", Kevin Page (University of Oxford), Ben Fields (Goldsmiths University of London), David De Roure (University of Oxford) and Tim Crawford (Goldsmiths University of London) |
12:50
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Buffet Lunch, Networking |
14:00
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KEYNOTE "Does not compute? Music as real-time communicative interaction", Prof. Ian Cross (University of Cambridge) |
14:40
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"2032 - A physical modelling synthesizer for dynamic tonality", Andrew J. Milne (The Open University) and Anthony Prechtl (Independent Researcher) |
15:00
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"Intimate physical control of musically expressive algorithms", Richard Hoadley and Satinder Gill (Anglia Ruskin University) |
15:20
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Tea/Coffee |
15:40
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"Music of the mind", Finn Peters (Independent Artist) and Matthew Yee-King (Goldsmiths University of London) |
16:00
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"Sound morphing by feature interpolation", Marcelo Caetano (IRCAM) |
16:20
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"Collaborative cross-modal interfaces: Editing diagrams through sound", Oussama Metatla, Tony Stockma and Nick Bryan-Kinns (Queen Mary University of London) |
16:40
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"A plea for unusability: appropriate complexity in digital musical instrument design for real-time interaction", Adam Linson (The Open University) |
17:00 |
Panel Discussion |
17:30 |
Close* |
* - There will be an opportunity to continue discussions after the Workshop in a nearby Pub/Restaurant.
1 |
"Trent Reznor and the ‘Ninternet’: How to sell free music to a music fan", Steven Brown (Glasgow Caledonian University)
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2 |
"An additive synthesis technique for the independent modification of the auditory perceptions of brightness and warmth", Asterios Zacharakis and Joshua Reiss (Queen Mary University of London)
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3 |
"Music information retrieval and classification scheme", Kaichun K. Chang and Costas S. Iliopoulos (King's College London)
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4 |
"Ethnomusicology of network cultures: Music and / in / on the digital networks", Fotis Begklis (SOAS)
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5 |
"Auditory-visual looming as a potential tool in film and gaming", Sonia Wilkie, Tony Stockman, and Joshua Reiss (Queen Mary University of London)
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6
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"Support for learning synthesiser programming", Mateusz Dykiert and Nicolas Gold (University College London) |
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7 |
"Loudness overflow effect", Andrew J. R. Simpson (Queen Mary University of London)
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8 |
"Polyphonic global features for string quartet classification", Ruben Hillewaere, Bernard Manderick (Vrije Universiteit Brussels) and Darrell Conklin (Universidad del País Vasco)
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9 |
"Culture aware music recommendation", Daniel Wolff, Tillman Weyde and Andrew MacFarlane (City University London)
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10 |
"Multichannel Wiener filters for microphone leakage suppression", Elias K. Kokkinis, Joshua Reiss (Queen Mary University of London) and John Mourjopoulos (University of Patras)
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11
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"A study of timbre features for cello player discrimination", Magdalena Chudy and Simon Dixon (Queen Mary University of London) |
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12
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"Multi-touch interaction techniques for collaborative music activities", Anna Xambó, Robin Laney, Chris Dobbyn (The Open University) and Sergi Jordà (Universitat Pompeu Fabra) |
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13
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"Are musical instruments Schrödinger's cats? Recent problems in musical instruments classification", Stéphanie Weisser and Maarten Quanten (Brussels Museum of Musical Instruments) |
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14
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"The Serendiptichord: Balancing complexity with accessibility in a wearable musical instrument for dancers", Tim Murray-Browne, Di Mainstone, Mark Plumbley and Nick Bryan-Kinns (Queen Mary University of London) |
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15
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"On control of interaction for computer assisted improvisation: formulating advanced music queries with finite automata", Fivos Maniatakos and Carlos Agon (IRCAM) |
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16
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"The musical instrument ontology", Sefki Kolozali, Mathieu Barthet, George Fazekas, Dan Tidhar and Mark Sandler (Queen Mary University of London) |
17
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"Gestural control of synthesised stereophonic sound reproduction", Martin J. Morrell and Joshua D. Reiss (Queen Mary University of London) |
A registration fee is payable, to cover room hire & refreshments.
Registration fees:
How to Register
Please register on-line, here.
Att. Panos Kudumakis
Centre for Digital Music
Queen Mary University of London
Mile End Road, London E1 4NS, UK
Tel: +44 (0)20 7882 5528
Fax: +44 (0)20 7882 7997
The Event will take place at the Arts Lecture Theatre, Queen Mary University of London, Mile End Road, London E1 4NS.
The venue is easily accessible by public transport. It is within a five minute walk of both Mile End Underground station (Central, District, and Hammersmith & City lines) and Stepney Green Underground station (District, and Hammersmith & City lines).
For travel information, see [opens in new window]:
Suggested hotels for staying before or after the workshop:
Last Updated: 15 March, 2011. © Queen Mary, University of London 2006 | ||