Digital Music Research NetworkEPSRC Network GR/R64810/01 |
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DMRN+1: Digital Music Research Network One-day Workshop 2006Queen Mary, University of London
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10:30 | Registration opens Tea/Coffee |
11:00 |
Welcome and opening remarks |
KEYNOTE |
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11:50 |
Session 1 |
Tools for Expert Musicians for Practising and Rehearsing
Microtonal Music |
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Music 2.0 at Queen Mary |
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12:40 | Buffet Lunch, Networking |
13:50 | Session 2 |
Digital Music Library Research at McGill University |
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Creating a musicological toolkit: CHARM and the
Mazurkas project |
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Visual Interfaces to Musical Composition |
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Towards a Grid Composition Environment |
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15:15 | Tea/Coffee Posters will be on display |
15:40 | Session 3 |
Realtime Machine Listening Nick Collins, University of Sussex |
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Multi-modal acquisition of performance parameters
for analysis of Chopin's B flat minor piano sonata
finale Op.35 Jennifer MacRitchie, Nicholas J.Bailey and Graham Hair, University of Glasgow |
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Information Dynamics in Music Cognition Marcus T. Pearce and Geraint A. Wiggins, Goldmiths College, University of London |
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16:25 | Panel Discussion Funding Digital Music Research |
16:55 | Close* |
* - There will be an opportunity to continue discussions after the Workshop in a nearby Pub/Restaurant.
See below for titles and authors of Talks and Posters.
A small registration fee is payable, to cover room hire & refreshments.
Registration Fee (excl VAT) |
Registration Fee (incl VAT at 17.5%) |
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---|---|---|
Regular | £25.53 | £30.00 |
Student* | £17.02 | £20.00 |
* A letter from institution confirming your student status must be faxed (or posted) with your registration form.
Places are strictly limited, and will be allocated on a first-come, first-served basis.
Registration deadline: Monday 11 December 2006.
To Register, please download and print the Regsitration Form in one of the following formats:
Fax (or post) the completed form together with payment in full to the address below.
If you are registering as a student, please include a letter from your institution confirming your student status with your registration form.
Payable to: Queen Mary University
of London
Bank: Barclays Bank plc
Whitechapel Road London E1 4NS, UK
Sort Code: 20-57-06
Account No: 40736805
Reference: DMRN+1
Swift Number: BARCGB22
IBAN: GB 21 BARC 2057 0640 7368 05
Theresa Willis
Queen Mary, University of London
Department of Electronic Engineering
Mile End Road
London E1 4NS
United Kingdom
Tel: +44 (0)20 7882 7513
Fax: +44-(0)20 7882 7997
Email: theresa.willis@elec.qmul.ac.uk
The Event will take place at the People's Palace, Queen Mary University of London, Mile End Road, London E1 4NS.
The venue is easily accessible by public transport. It is within a five minute walk of both Mile End Underground station (Central, District, and Hammersmith & City lines) and Stepney Green Underground station (District, and Hammersmith & City lines).
For travel information, see [opens in new window]:
Suggested hotels for staying before or after the workshop:
For relative locations and travel between these hotels and Queen Mary University of London see ISMIR 2005 Maps.
KEYNOTE:
The Music Information Retrieval Evaluation eXchange
(MIREX): Lessons Learned and Future Visions
J Stephen
Downie,
University of Illinois
at Urbana-Champaign
Realtime Machine Listening
Nick Collins
University of Sussex
Creating a musicological toolkit: CHARM and the
Mazurkas project
Nicholas Cook
Royal Holloway, University of London
Towards a Grid Composition Environment
John Fitch, James Mitchell and Julian Padget
University of Bath
Digital Music Library Research at McGill University
Ichiro Fujinaga
McGill University
Tools for Expert Musicians for Practising and
Rehearsing Microtonal Music
Graham Hair*, Ingrid Pearson+, Nick Bailey* and Doug McGilvray
*University of Glasgow, +Royal College of Music
Multi-modal acquisition of performance parameters
for analysis of Chopin's B flat minor piano sonata finale
Op.35
Jennifer MacRitchie, Nicholas J.Bailey and Graham Hair
University of Glasgow
Information Dynamics in Music Cognition
Marcus T. Pearce and Geraint A. Wiggins
Goldmiths
College, University of London
Music 2.0 at Queen Mary
Mark Sandler and Josh Reiss
Queen Mary University of London
Visual Interfaces to Musical Composition
Jean-Baptiste Thiebaut
Queen Mary University of London
Information dynamics and musical structure
Samer Abdallah and Mark Plumbley
Queen Mary University of London
Aspects of Similarity
Hamish Allan and Geraint Wiggins
Goldsmiths College, University of London
A Locality Sensitive Hashing Algorithm for Fast
Song Similarity
Michael A. Casey* and Malcolm Slaney+
* - Goldsmiths, University of London, + - Yahoo! Research Inc.
Splunge: An Extensible HCI and Audio Network Model
William Evans
Univeristy of Glasgow
Digital Processing and the Assessment of Violin
Sound Quality
Colin Gough
University of Birmingham
Causal Contexts, Cognitive Cartoons and Spatial
Sound
Peter Lennox* and Tony Myatt+
* - University of Derby, + - University of York
Performance Markup Language: Combining the score
and the performance
Douglas McGilvray
University of Glasgow
Review of Musically Useful Audio Distortion Effects
Mark V. Oliver
Coventry University
Poisson Point Process Modelling for Polyphonic Music Transcription
Paul Peeling, Chung-fai Li, Simon Godsill
Cambridge University Engineering Department
A Case Study in Digital Music Preservation With
Calliope and DFDL
Stuart Pullinger and Nicholas J. Bailey
University of Glasgow
Single Channel Audio Separation by Non-negative Matrix
Factorization
Beiming Wang and Mark Plumbley
Queen Mary University of London
Adaptive Spectrogram
Xue Wen and Mark Sandler
Queen Mary University of London
Ontology-Based Annotation of Harmonic Structure
Jens Wissmann and Tillman Weyde
City University, London
This DMRN Workshop (20 December 2006) at Queen Mary University of London is preceded by the Live Algorithms for Music Meeting (18-19 December 2006) at Goldsmiths College, London.
Delegates wishing to attend both events might like to see the ISMIR 2005 Maps to see relative locations and suggestions for possible hotels.
Last Updated: 11 January, 2007. © Queen Mary, University of London 2006 | ||