Digital Music Research Network (DMRN) - UK Research Snapshot Please annotate the following in an email reply to mrc-dmrn@york.ac.uk. You may wish to coordinate your response with colleagues. A list of "categories" within the broad heading of digital music research are given. These were defined by a previous DMRN roadmap scope exercise. Please add details of ONE paper/book/work by you or a member of your group in each category to illustrate the focus of your research. Add examples in as many categories as you wish. Please provide your examples by cutting the following text, pasting it under the relevant heading below and adding your information: Title: Author: Publication: Date: -------------- e.g. ---------------------- ... 10. Interactive performance systems Title: Strategies for interaction in construction 3 Author: Dr Tony Myatt Publication/Publisher: Organised Sound, Cambridge University Press Date: August 2002 ... ----------------------------------------- Only list papers/books published in internationally refereed publications. Please do not include study text books. Do not enter the same work in more than one category - decide which is the most appropriate. If there are no categories which represent your work, please add your own. ------------- Please add your information below ------------ Name/Research Group: Institution: ------------------------------------------------------------------------ Digital Music Research - Research Categories. Add examples of your work under appropriate headings. 1. Digital music content generation e.g. algorithmic composition, computer music composition (inc. electroacoustic music). 2. Musical applications of artificial intelligence 3. Acoustics 4. Audio analysis e.g. Machine recognition of audio; machine recognition of music 5. Audio hardware e.g. recording technology 6. Audio engineering 7. Audio signal processing 8. Audio dissemination systems 9. Education in music and technology systems i.e. research into educational methods and technologies, not text books relating to other categories. 10. Interactive performance systems 11. Human computer interfacing for music and audio 12. Information systems for audio 13. Tools for music analysis 14. Music data structures and representations 15. Music notation 16. Performance interfaces 17. Psychoacoustics, perception, cognition of music and audio 18. Sound synthesis 19. Sound reproduction technologies 20. Music in the context of other media ---