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2012

[1]
S. A. Abdallah and M. D. Plumbley. A measure of statistical complexity based on predictive information with application to finite spin systems. Physics Letters A, 376, 2012. [ bib | DOI | .pdf ]
[2]
A. Adler, V. Emiya, M. G. Jafari, M. Elad, R. Gribonval, and M. D. Plumbley. Audio inpainting. IEEE Transactions on Audio, Speech and Language Processing, 20:922--932, 2012. [ bib | DOI | .pdf ]
[3]
Daniele Barchiesi and M. D. Plumbley. Learning incoherent dictionaries for sparse approximation using iterative projections and rotations. Presented at the ICML workshop on "Sparsity, Dictionaries and Projections in Machine Learning and Signal Processing", Jun 2012. [ bib ]
[4]
M. Barthet, G. Fazekas, and M. Sandler. Multidisciplinary perspectives on music emotion recognition: Recommendations for content- and context-based models. In Proc. of the 9th Int. Symposium on Computer Music Modeling and Retrieval (CMMR), pages 492--507, 2012. [ bib ]
[5]
E. Benetos. Automatic transcription of polyphonic music exploiting temporal evolution. PhD thesis, Queen Mary University of London, December 2012. [ bib ]
[6]
E. Benetos and S. Dixon. A shift-invariant latent variable model for automatic music transcription. Computer Music Journal, 36(4):81--94, Winter 2012. [ bib | DOI ]
[7]
E. Benetos and S. Dixon. Temporally-constrained convolutive probabilistic latent component analysis for multi-pitch detection. In International Conference on Latent Variable Analysis and Signal Separation, pages 364--371, Tel-Aviv, Israel, March 2012. [ bib | http ]
[8]
E. Benetos, S. Dixon, D. Giannoulis, H. Kirchhoff, and A. Klapuri. Automatic music transcription: breaking the glass ceiling. In 13th International Society for Music Information Retrieval Conference (ISMIR), Porto, Portugal, October 2012. [ bib ]
[9]
E. Benetos, A. Klapuri, and S. Dixon. Score-informed transcription for automatic piano tutoring. In 20th European Signal Processing Conference (EUSIPCO), Bucharest, Romania, August 2012. [ bib ]
[10]
E. Benetos, M. Lagrange, and S. Dixon. Characterisation of acoustic scenes using a temporally-constrained shift-invariant model. In 15th International Conference on Digital Audio Effects (DAFx), York, UK, September 2012. [ bib ]
[11]
N. C. Britt, J. Snyder, and A. McPherson. The EMvibe: An electromagnetically actuated vibraphone. In Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME), 2012. [ bib | .pdf ]
[12]
E. Burdiel, L. Vetter, A. J. R. Simpson, M. J. Terrell, A. McPherson, and M. Sandler. Real-time implementation of Glasberg & Moore's loudness model for time-varying sounds. In Proceedings of the 133rd AES Convention, October 2012. [ bib ]
[13]
C. Cannam, L. A. Figueira, and M. D. Plumbley. Sound software: Towards software reuse in audio and music research. In Proc IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2012), pages 2745--2748, 2012. [ bib ]
[14]
N. Cleju, M. G. Jafari, and M. D. Plumbley. Analysis-based sparse reconstruction with synthesis-based solvers. In Proc IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2012), pages 5401--5404, 2012. [ bib ]
[15]
Alice Clifford, Henry Lindsay Smith, and Josh Reiss. Simulating microphone bleed and tom-tom resonance in multisampled drum workstations. In Proceedings of the 15th International Conference on Digital Audio Effects (DAFx-12), 2012. [ bib ]
[16]
N. Degara, E. Argones Rua, A. Pena, S. Torres-Guijarro, M. E. P. Davies, and M. D. Plumbley. Reliability-informed beat tracking of musical signals. IEEE Transactions on Audio, Speech and Language Processing, 20:290--301, 2012. [ bib | DOI | .pdf ]
[17]
H. Ekeus, M. D. Plumbley, and P. W. McOwan. Eye tracking as interface for the design of generative visual forms and patterns. In Predicting Perceptions: Proceedings of the 3rd International Conference on Appearance, pages 117--121, 2012. [ bib | http ]
[18]
J. Fritsch. High quality musical audio source separation. Master's thesis, UPMC/IRCAM/TELECOM ParisTech, Paris, France, 2012. [ bib | .pdf ]
[19]
J. Fritsch, J. Ganseman, and M. D. Plumbley. A comparison of two different methods for score-informed source separation. In Proceedings of the 5th International Workshop on Machine Learning and Music (MML12), Edinburgh, Scotland, UK, 2012. [ bib | .pdf ]
[20]
H. Fujihara, A. Klapuri, and M. D. Plumbley. Instrumentation-based music similarity using sparse representations. In Proc IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2012), pages 433--436, 2012. [ bib ]
[21]
D. Giannoulis, M. Massberg, and J. D. Reiss. Digital dynamic range compressor design - a tutorial and analysis. Journal of the Audio Engineering Society, 60, June 2012. [ bib | .pdf ]
[22]
A. Gretsistas and M. D. Plumbley. Group polytope faces pursuit for recovery of block-sparse signals. In Proc 10th International Conference on Latent Variable Analysis and Signal Separation (LVA/ICA 2012), LNCS 7191, pages 255--262, 2012. [ bib | DOI ]
[23]
S. Hargreaves, A. Klapuri, and M. Sandler. Structural segmentation of multitrack audio. Audio, Speech, and Language Processing, IEEE Transactions on, In Press. [ bib ]
[24]
C. Heinrichs and A. McPherson. A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling. In Proceedings of the 9th Sound and Music Computing Conference (SMC), 2012. [ bib ]
[25]
H. Kirchhoff, S. Dixon, and A. Klapuri. Multi-template shift-variant non-negative matrix deconvolution for semi-automatic music transcription. In 13th International Conference on Music Information Retrieval (ISMIR), Porto, October 2012. [ bib ]
[26]
H. Kirchhoff, S. Dixon, and A. Klapuri. Shift-variant non-negative matrix deconvolution for music transcription. In IEEE International Conference on Acoustics, Speech and Signal Processing, Kyoto, Japan, March 2012. [ bib ]
[27]
E. K. Kokkinis, J. D. Reiss, and J. Mourjopoulos. A wiener filter approach to microphone leakage reduction in close-microphone applications. IEEE Transactions on Audio, Speech, and Language Processing, 20:769--779, 2012. [ bib | .pdf ]
[28]
S. Kolozali, M. Barthet, and M. Sandler. Knowledge management on the semantic web: A comparison of neuro-fuzzy and multi-layer perceptron methods for automatic music tagging. In Proc. of the 9th Int. Symposium on Computer Music Modeling and Retrieval (CMMR), pages 220--231, 2012. [ bib ]
[29]
B. Mailhé and M. D. Plumbley. Dictionary learning with large step gradient descent for sparse representations. In Proc 10th International Conference on Latent Variable Analysis and Signal Separation (LVA/ICA 2012), LNCS 7191, pages 231--238, 2012. [ bib | DOI ]
[30]
Boris Mailhé, Daniele Barchiesi, and Mark D. Plumbley. INK-SVD: Learning incoherent dictionaries for sparse representations. In Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pages 3573--3576, 2012. [ bib ]
[31]
A. McPherson. Techniques and circuits for electromagnetic instrument actuation. In Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME), 2012. [ bib | .pdf ]
[32]
A. McPherson. TouchKeys: capacitive multi-touch sensing on a physical keyboard. In Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME), 2012. [ bib | .pdf ]
[33]
A. McPherson and Y. Kim. Piano technique as a case study in expressive gestural interaction. In S. Holland, K. Wilkie, P. Mulholland, and A. Seago, editors, Music and Human-Computer Interaction, Springer Series on Cultural Computing. Springer, London, 2012. [ bib | http ]
[34]
A. McPherson and Y. Kim. The problem of the second performer: building a community around an augmented instrument. Computer Music Journal, In press. [ bib ]
[35]
D. W. H. Menzies and A. McPherson. An electronic bagpipe chanter for automatic recognition of highland piping ornamentation. In Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME), 2012. [ bib | .pdf ]
[36]
Martin J. Morrell, Chris Baume, and Joshua D. Reiss. Vambu sound: A mixed-technique 4-d reproduction system with a heightened frontal localisation area. In AES 25th UK Conference: Spatial Audio in Today's 3D World, York, UK, March 25-27 2012. [ bib ]
[37]
Martin J. Morrell, Chris Baume, and Joshua D. Reiss. Spatial audio system for surround video. International Journal of Digital Content Technology and its Applications (JDCTA), Accepted. [ bib ]
[38]
Martin J. Morrell and Joshua D. Reiss. A 2d variable-order, variable-decoder, ambisonics based music composition and production tool for an octagonal speaker layout. In CMMR 2012: Music and Emotions, London, June 2012. [ bib ]
[39]
Martin J. Morrell and Joshua D. Reiss. Variable-polar pattern synthesis for use in two dimensional sound reproduction. In 15th International Conference on Digital Audio Effects, York, UK, September 17-21 2012. [ bib ]
[40]
Martin J. Morrell, Joshua D. Reiss, and Sonia Wilkie. Surround sound using variable-ambisonics and variable-polar pattern theories. In IEEE International Conference on Multimedia & Expo (ICME) 2012, Melbourne, Australia, July 9th-13th 2012. [ bib ]
[41]
T. Murray-Browne. Interactive Music: Balancing Creative Freedom with Musical Development. PhD thesis, Queen Mary University of London, London, UK, 2012. [ bib ]
[42]
Metatla O., Bryan-Kinns N, and Stockman T. Auditory display design-an investigation of a design pattern approach. Journal on Multimodal User Interfaces, 5:111--122, 2012. [ bib ]
[43]
Metatla O., Bryan-Kinns N., Stockman T., and Martin F. Cross-modal collaborative interaction between visually-impaired and sighted users in the workplace. In Proceedings of ICAD2012: The 22nd International Conference on Auditory Display, 2012. [ bib ]
[44]
Metatla O., Bryan-Kinns N., Stockman T., and Martin F. A cross-modal collaborative tool for workplace inclusion. In Proceedings of the ACM Conference on Designing Interactive Systems DIS'2012, 2012. [ bib ]
[45]
Metatla O., Bryan-Kinns N., Stockman T., and Martin F. The effects of using headphones and speakers on collaboration in an audio-only workspace. In Journal of the Audio Engineering Society special issue on Auditory Display, 2012. [ bib ]
[46]
Metatla O., Bryan-Kinns N., Stockman T., and Martin F. Supporting cross-modal collaboration in the workplace. In Proceedings of HCI 2012, 2012. [ bib ]
[47]
K. O'Hanlon, H. Nagano, and M. D. Plumbley. Structured sparsity for automatic music transcription. In Proc IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2012), pages 441--444, 2012. [ bib ]
[48]
Andrew Robertson. Decoding tempo and timing variations in music. In Proceedings of the 13th International Conference on Music Information Retrieval, Porto, 2012. [ bib ]
[49]
NG Sahib, A Tombros, and T Stockman. A comparative analysis of the information-seeking behavior of visually impaired and sighted searchers. Journal of the American Society for Information Science and Technology, 63, Feb 2012. [ bib | DOI ]
[50]
J. Snyder and A. McPherson. The JD-1: an implementation of a hybrid keyboard/sequencer controller for analog synthesizers. In Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME), 2012. [ bib | .pdf ]
[51]
Y. Song, S. Dixon, and M. T. Pearce. A survey of music recommendation systems and future perspectives. In 9th International Symposium on Computer Music Modeling and Retrieval (CMMR), pages 395--410, London, UK, 2012. [ bib ]
[52]
Y. Song, S. Dixon, and M. T. Pearce. Evaluation of musical features for emotion classification. In 13th International Society for Music Information Retrieval Conference (ISMIR), pages 523--528, Porto, Portugal, 2012. [ bib | .pdf ]
[53]
A. Stark and M. D. Plumbley. Performance following: Real-time prediction of musical sequences without a score. IEEE Transactions on Audio, Speech and Language Processing, 20:190--199, 2012. [ bib | DOI | .pdf ]
[54]
D. Stowell and E. Chew. Bayesian map estimation of piecewise arcs in tempo time-series. In Proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval (CMMR), 2012. [ bib | .pdf ]
[55]
D. Stowell and S. Dixon. Integration of informal music technologies in secondary school music lessons. British Journal of Music Education, In press. [ bib ]
[56]
D. Stowell and A. McLean. Live music-making: a rich open task requires a rich open interface. In S. Holland, K. Wilkie, P. Mulholland, and A. Seago, editors, Music and Human-Computer Interaction, Springer Series on Cultural Computing. Springer, London, 2012. [ bib | http ]
[57]
D. Stowell and M. D. Plumbley. Framewise heterodyne chirp analysis of birdsong. In Proceedings of EUSPICO, 2012. [ bib | .pdf ]
[58]
D. Stowell and M. D. Plumbley. Multi-target pitch tracking of vibrato sources in noise using the gm-phd filter. In Proceedings of the 5th International Workshop on Machine Learning and Music (MML12), 2012. [ bib | .pdf ]
[59]
E. Streeter, M. E. P. Davies, J. D. Reiss, A. Hunt, R. Caley, and C. Roberts. Computer aided music therapy evaluation:testing the music therapy logbook prototype 1 system. Journal of Arts in Psychotherapy, 39:1--10, Feb 2012. [ bib | .pdf ]
[60]
S. Wilkie and T. Stockman. The perception of auditory-visual looming in film. In Proceedings of CMMR2012: The 9th International Symposium on Computer Music Modeling and Retrieval, June 2012. [ bib ]
[61]
S. Wilkie, T Stockman, and J. D Reis. Amplitude manipulation for perceived movement in depth. In Proceedings of the 132nd Convention of the Audio Engineering Society, 2012. [ bib ]
[62]
Asteris Zacharakis, Konstantinos Pastiadis, Joshua D. Reiss, and Georgios Papadelis. Analysis of musical timbre semantics through metric and non-metric data reduction techniques. In ICMPC-ESCOM, July 2012. [ bib ]
[63]
M. Zaunschirm, J. D. Reiss, and A. Klapuri. A sub-band approach to musical transient modification. Computer Music Journal, 36, 2012. [ bib | .pdf ]

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