Publications

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2011

[1]

Molster A. and Stockman T. On the road to design: Developing a sonified route navigator for cyclists. In Proceedings of ICAD2011: The 21st International Conference on Auditory Display, 2011. [ bib ]

[2]

A. Adler, V. Emiya, M. G. Jafari, M. Elad, R. Gribonval, and M. D. Plumbley. A constrained matching pursuit approach to audio declipping. In Proc. of the IEEE Int. Conf. on Acoustic, Speech, and Signal Processing, pages 329--332, 2011. [ bib ]

[3]

A. Adler, V. Emiya, M. G. Jafari, M. Elad, R. Gribonval, and M. D. Plumbley. A constrained matching pursuit approach to audio declipping. In May, Prague, 2011. [ bib ]

[4]

V. Emiya Adler, M. G. Jafari, M. Elad, R. Gribonval, and M. D. Plumbley. Audio inpainting. To Appear: IEEE Trans. on Audio, Speech and Language Processing, 2011. [ bib ]

[5]

Daniele Barchiesi and Mark D. Plumbley. Dictionary learning of convolved signals. In Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2011. [ bib ]

[6]

M. Barthet and S. Dixon. Ethnographic observations of musicologists at the British Library: Implications for music information retrieval. In 12th International Society for Music Information Retrieval Conference, 2011. to appear. [ bib ]

[7]

M. Barthet and S. Dixon. Ethnographic observations of musicologists at the british library: implications for music information retrieval. In 12th International Society for Music Information Retrieval Conference (ISMIR), Miami, Florida (USA), 2011. [ bib ]

[8]

M. Barthet, P. Guillemain, R. Kronland-Martinet, and S. Ystad. The way timbre shapes musical preference: a clarinet performance case study. In Performance Studies Network International Conference, Faculty of Music, University of Cambridge, 2011. [ bib ]

[9]

M. Barthet, S. Hargreaves, and M. Sandler. Speech/music discrimination in audio podcast using structural segmentation and timbre recognition. In R. Kronland-Martinet, S. Ystad, K. Jensen, and M. Aramaki, editors, CMMR 2010 Post Symposium proceedings, Lecture Notes in Computer Science (LNCS). Springer-Verlag, Berlin / Heidelberg, in press. [ bib ]

[10]

E. Benetos and S. Dixon. Joint multi-pitch detection using harmonic envelope estimation for polyphonic music transcription. IEEE Journal of Selected Topics in Signal Processing, 5(6):1111--1123, October 2011. [ bib | DOI ]

[11]

E. Benetos and S. Dixon. Multiple-f0 estimation and note tracking using a convolutive probabilistic model. In Music Information Retrieval Evaluation eXchange, Miami, Florida, USA, October 2011. [ bib ]

[12]

E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In 8th Sound and Music Computing Conference, pages 19--24, Padova, Italy, July 2011. [ bib ]

[13]

E. Benetos and S. Dixon. Polyphonic music transcription using note onset and offset detection. In 2011 International Conference on Acoustics, Speech, and Signal Processing, pages 37--40, Prague, Czech Republic, May 2011. [ bib ]

[14]

E. Benetos and S. Dixon. A temporally-constrained convolutive probabilistic model for pitch detection. In IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, pages 133--136, New Paltz, NY, USA, October 2011. [ bib ]

[15]

M. Chudy and S. Dixon. Recognising cello performers using timbre models. In Joint Annual Conference of the German Association for Pattern Recognition (DAGM) and the German Classification Society (GfKl), 2011. [ bib ]

[16]

Alice Clifford and Josh Reiss. Automatic detection of the proximity effect. In Proceedings of the 131st Audio Engineering Society Convention, 2011. [ bib ]

[17]

Alice Clifford and Josh Reiss. Microphone interference reduction in live sound. In Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-09), 2011. [ bib ]

[18]

Alice Clifford and Josh Reiss. Reducing comb filtering on different musical instruments using time delay estimation. Journal of the Art of Record Production, 5, December 2011. [ bib | http ]

[19]

M. E. P. Davies, N. Degara, and M. D. Plumbley. Measuring the performance of beat tracking algorithms using a beat error histogram. IEEE Signal Processing Letters, 18(3):157--160, Mar 2011. [ bib | DOI ]

[20]

S. Dixon, M. Mauch, and A. Anglade. Probabilistic and logic-based modelling of harmony. In R. Kronland-Martinet, S. Ystad, K. Jensen, and M. Aramaki, editors, CMMR 2010 Post Symposium Proceedings, pages 1--19. Springer, Heidelberg, 2011. [ bib ]

[21]

S. Dixon, M. Mauch, and D. Tidhar. Estimation of harpsichord inharmonicity and temperament from musical recordings. Journal of the Acoustical Society of America, page to appear, 2011. [ bib ]

[22]

S. Dixon, D. Tidhar, and E. Benetos. The temperament police: The truth, the ground truth and nothing but the truth. In 12th International Society for Music Information Retrieval Conference, pages 281--286, Miami, USA, October 2011. [ bib ]

[23]

Dimitrios Giannoulis, Daniele Barchiesi, Anssi Klapuri, and Mark D. Plumbley. On the disjointness of sources in music using different time-frequency representations. In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2011. [ bib ]

[24]

F. Hedayioglu, M. G. Jafari, S. Mattos, M. D. Plumbley, and M. Coimbra. Separating sources from sequentially acquired mixtures of heart signals. In Proc. of the IEEE Int. Conf. on Acoustic, Speech, and Signal Processing, pages 653--656, 2011. [ bib ]

[25]

F. L. Hedayioglu, M. G. Jafari, S. S. Mattos, M. D. Plumbley, and M. T. Coimbra. Separating sources from sequentially acquired mixtures of heart signals. In Proc ICASSP 2011, Prague, May 2011. [ bib ]

[26]

Morrell M. J., Reiss J. D., and Stockman T. Auditory cues for gestural control of multi-track audio. In Proceedings of ICAD2011: The 21st International Conference on Auditory Display, 2011. [ bib ]

[27]

M. G. Jafari, F. Hedayioglu, M. Coimbra, and M. D. Plumbley. Blind source separation of periodic sources from sequentially recorded instantaneous mixtures. To appear Proc. of the Int. Symposium on Image and Signal Processing and Analysis, 2011. [ bib ]

[28]

M. G. Jafari and M. D. Plumbley. Fast dictionary learning for sparse representations of speech signals. To Appear: IEEE Journal of Selected Topics in Signal Processing, 2011. [ bib ]

[29]

Inseon Jang, Panos Kudumakis, Mark Sandler, and Kyeongok Kang. The mpeg interactive music application format standard. IEEE Signal Processing Magazine, 28(1):150--154, Jan 2011. [ bib ]

[30]

S. Kolozali, G. Fazekas, M. Barthet, and M. Sandler. Knowledge representation issues in musical instrument ontology design. Miami, Florida (USA), 2011. [ bib ]

[31]

Panos Kudumakis, Xin Wang, Sergio Matone, and Mark Sandler. Mpeg-m: Multimedia service platform technologies. IEEE Signal Processing Magazine, 2011. [ bib ]

[32]

Roland Lamb and Andrew Robertson. Seaboard: a new piano keyboard-related interface combining discrete and continuous control. In Proc. International Conference on New Interfaces for Musical Expression (NIME), Oslo, Norway, pages 503--506, 2011. [ bib ]

[33]

B. W.-K. Ling, C. Y.-F. Ho, and J. D. Reiss. Global stability, limit cycles and chaotic behaviors of second order interpolative sigma delta modulators. International Journal of Bifurcation and Chaos, 20, 2011. [ bib ]

[34]

R. Macrae and S. Dixon. Guitar tab mining, analysis and ranking. In 12th International Society for Music Information Retrieval Conference, page to appear, 2011. [ bib ]

[35]

R. Macrae, J. Neumann, X. Anguera, N. Oliver, and S. Dixon. Real-time synchronisation of multimedia streams in a mobile device. In International Conference on Multimedia and Expo, Workshop on Advances in Music Information Research, page to appear, 2011. [ bib ]

[36]

L. Mearns, E. Benetos, and S. Dixon. Automatically detecting key modulations in J.S. bach chorale recordings. In 8th Sound and Music Computing Conference, pages 25--32, Padova, Italy, July 2011. [ bib ]

[37]

C. Mesnage, A. Rafiq, S. Dixon, and R. Brixtel. Music discovery with social networks. October 2011. [ bib ]

[38]

Martin J. Morrell and Chris Baume. Spatial audio system for surround video. In DMRN+6: Digital Music Research Network One-day Workshop 2011, London, UK, December 2011. [ bib ]

[39]

Martin J. Morrell, Joshua D. Reiss, and Tony Stockman. Auditory cues for gestural control of multi-track audio. In The 17th Annual Conference on Auditory Display, Budapest, Hungary, June 2011. [ bib ]

[40]

Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns, and Mark D. Plumbley. The medium is the message: Composing instruments and performing mappings. In Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME-11), Oslo, Norway, 2011. [ bib ]

[41]

A. Nesbit, M. G. Jafari, E. Vincent, and M. D. Plumbley. Audio source separation using sparse representations. In W. Wang, editor, Machine Audition: Principles, Algorithms and Systems, chapter 10, pages 246--264. IGI Global, 2011. [ bib ]

[42]

Metatla O., Bryan-Kinns N., Stockman T., and Martin F. Cross-modal collaborative interaction between visually-impaired and sighted users in the workplace. In Digital Futures 2011, the 2nd RCUK Digital Economy All Hands Meeting, 2011. [ bib ]

[43]

J. D. Reiss. Design of audio parametric equalizer filters directly in the digital domain. IEEE Transactions on Audio, Speech and Language Processing, 19(6), August 2011. [ bib ]

[44]

Andrew Robertson. A bayesian approach to drum tracking. In Proceedings of the 8th Sound and Music Computing Conference (SMC), 2011. [ bib ]

[45]

Andrew Robertson, Adam M. Stark, and Mark D. Plumbley. Real-time visual beat tracking using a comb filter matrix. In Proc. International Computer Music Conference, 2011. [ bib ]

[46]

R. Stewart and M. Sandler. An auditory display in playlist generation. Signal Processing Magazine, IEEE, 28(4):14 --23, july 2011. [ bib | DOI ]

[47]

Rebecca Stewart, Panos Kudumakis, and Mark Sandler. Interactive music applications and standards. volume 6684 of Lecture Notes in Computer Science, pages 20--30. 2011. [ bib ]

[48]

Rebecca Stewart, Panos Kudumakis, and Mark Sandler. Interactive music applications and standards. In R. Kronland-Martinet, S. Ystad, K. Jensen, and M. Aramaki, editors, CMMR 2010 Post Symposium proceedings, Lecture Notes in Computer Science (LNCS). Springer-Verlag, in press. [ bib ]

[49]

Rebecca Stewart and Mark Sandler. The amblr: a mobile spatial audio music browser. In 3rd Workshop on Advances in Music Information Retrieval (AdMIRe), Barcelona, Spain, July 2011. [ bib ]

[50]

D. Stowell. Scheduling and composing with Risset eternal accelerando rhythms. In Proceedings of the International Computer Music Conference (ICMC), 2011. [ bib ]

[51]

D. Stowell. Writing unit generator plugins. In S. Wilson, D. Cottle, and N. Collins, editors, The SuperCollider Book, chapter 25. MIT Press, Cambridge, MA, 2011. [ bib | http ]

[52]

D. Stowell, M. Barthet, S. Dixon, and M. Sandler. Musicology for the masses: Situating new audio technologies for musicology and music education. In Proceedings of the Digital Economy All Hands Conference 2011, 2011. [ bib | .pdf ]

[53]

D. Stowell and S. Dixon. MIR in school? lessons from ethnographic observation of secondary school music classes. In 12th International Society for Music Information Retrieval Conference, 2011. to appear. [ bib ]

[54]

D. Stowell and A. McLean. Live music-making: a rich open task requires a rich open interface. In Proceedings of the BCS HCI 2011 Workshop - When Words Fail: What can Music Interaction tell us about HCI?, Jul 2011. [ bib ]

[55]

D. Stowell and M. D. Plumbley. Learning timbre analogies from unlabelled data by multivariate tree regression. Journal of New Music Research, 2011. [ bib | DOI ]

[56]

E. Vincent, M. G. Jafari, S. A. Abdallah, M. D. Plumbley, and M. E. Davies. Probabilistic modeling paradigms for audio source separation. In W. Wang, editor, Machine Audition: Principles, Algorithms and Systems, chapter 7, pages 162--185. IGI Global, 2011. [ bib ]

[57]

Asteris Zacharakis, Kostas Pastiadis, Georgios Papadelis, and Josh Reiss. An investigation of musical timbre: uncovering salient semantic descriptors and perceptual dimensions. In Anssi Klapuri and Colby Leider, editors, Proceedings of the 12th ISMIR Conference, October 2011. [ bib | http ]

[58]

Asteris Zacharakis and Josh Reiss. An additive synthesis technique for independent modification of the auditory perceptions of brightness and warmth. In Proceedings of the 130th AES Convention, May 2011. [ bib ]

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