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2009

[1]
Using musical structure to enhance automatic chord transcription. 2009. [ bib ]
[2]
S. A. Abdallah and M. D. Plumbley. Information dynamics: Patterns of expectation and surprise in the perception of music. Connection Science, 2009. [ bib ]
[3]
A. Adler, V. Emiya, M. G. Jafari, M. Elad, R. Gribonval, and M. D. Plumbley. Speech denoising based on a greedy adaptive dictionary algorithm. In Proc. of the European Signal Processing Conference EUSIPCO 2009, pages 1423--1426, 2009. [ bib ]
[4]
Amelie Anglade and Simon Dixon. Characterisation of harmony with inductive logic programming, 2009. [ bib ]
[5]
Amélie Anglade, Rafael Ramirez, and Simon Dixon. First-order logic classification models of musical genres based on harmony. In Proceedings of the 6th Sound and Music Computing Conference (SMC 2009), pages 309--314, Porto, Portugal, July 2009. [ bib ]
[6]
Amelie Anglade, Rafael Ramirez, and Simon Dixon. Genre classification using harmony rules induced from automatic chord transcriptions. 2009. [ bib ]
[7]
Amélie Anglade, Rafael Ramirez, and Simon Dixon. Genre classification using harmony rules induced from automatic chord transcriptions. In Proceedings of the 10th International Conference on Music Information Retrieval (ISMIR 2009), pages 669--674, Kobe, Japan, October 2009. [ bib ]
[8]
Daniele Barchiesi and Joshua Reiss. Automatic target mixing using least-squares optimization of gains and equalization settings. In Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), pages 7--14, Sep. 2009. [ bib ]
[9]
M. Barthet and M. Sandler. Reconnaissance automatique d'instruments: une application à l'indexation automatique de base de données musicales. 2009. [ bib ]
[10]
M. Barthet and M. Sandler. A Vamp plugin for musical instrument identification: towards the indexation of digital music collections. In Digital Music Research Network (DMRN+4) workshop, London, 2009. [ bib ]
[11]
C. Cannam, J. Reiss, and P.; Kudumakis. Semantic music functionality for omm. London, UK, 26 June 2009 2009. [ bib | http ]
[12]
Ivan Damnjanovic, David Dorran, Dan Barry, and Josh Reiss. Enriched multimedia access: Video time and pitch scale modification - a real-time framework. IEEE Transactions on Multimedia, submitted. [ bib ]
[13]
G. Fazekas, C. Cannam, and M. Sandler. Reusable metadata and software components for automatic audio analysis. 2009. [ bib ]
[14]
G. Fazekas, C. Cannam, and M. Sandler. A simple guide to automated music analysis on the semantic web. Technical report, 2009. [ bib ]
[15]
G. Fazekas and M. Sandler. Novel methods in information management for advance audio workflows. 2009. [ bib ]
[16]
G. Fazekas and M. Sandler. Ontology based information management in music production. 2009. [ bib ]
[17]
G. Fazekas and M. Sandler. Uncovering the details of music production using ontologies. London, UK, 16/03/2009 2009. [ bib ]
[18]
C. Frauenberger and T. Stockman. Auditory display design: An investigation of a design pattern approach,. International Journal of Human-Computer Studies, (Special issue on Sonic Interaction Design), October 2009. [ bib ]
[19]
Kurt Jacobson and Mark Sandler. Interacting with linked data about music. 2009. [ bib ]
[20]
G. Kreutz, M. Levy, and M. Sandler. Emotion words for music by internet users. In SEMPRE Empirical Musicology conference, 2009. [ bib ]
[21]
G. Kreutz, M. Levy, and M. Sandler. Emotion words in social tags for popular music. Music Perception, submitted. [ bib ]
[22]
P.; Kudumakis. Semantic audio in advanced iptv terminal. 2009. [ bib ]
[23]
M. Levy and M. Sandler. Music information retrieval using social tags and audio. IEEE Transactions on Multimedia, 2009. [ bib ]
[24]
M. Magas, R. Sewart, and B. Fields. decibel 151: Collaborative spatial audio interactive environment. 2009. [ bib ]
[25]
Matthias Mauch, Katy Noland, and Simon Dixon. Using musical structure to enhance automatic chord transcription. In Proceedings of the 2009 ISMIR Conference, Kobe, Japan, 2009. [ bib ]
[26]
A. Nesbit and M. D. Plumbley. Adaptive, sparse transforms for underdetermined blind audio source separation. In Proceedings of the 8th International Conference on Independent Component Analysis and Signal Separation (ICA 2009), Paraty, Brazil, Mar 2009. [ bib ]
[27]
A. Nesbit, E. Vincent, and M. D. Plumbley. Benchmarking flexible adaptive time-frequency transforms for underdetermined audio source separation. In Proceedings of the 2009 IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2009), Taipei, Taiwan, Apr 2009. [ bib ]
[28]
K. Noland and M. Sandler. Influences of signal processing, tone profiles, and chord progressions on a model for estimating the musical key from audio. Computer Music Journal, 33(1), 2009. [ bib ]
[29]
Katy C. Noland. Computational Tonality Estimation: Signal Processing and Hidden Markov Models. PhD thesis, Queen Mary University of London, London, UK, March 2009. [ bib | .pdf ]
[30]
Enrique Perez Gonzalez and J. Reiss. Automatic equalization of multi-channel audio using cross-adaptive methods. 127th Convention Audio Engineering Society, 9-12 October 2009. [ bib ]
[31]
Enrique Perez Gonzalez and J. Reiss. Automatic gain and fader control for live mixing. Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 18-21 October 2009. [ bib ]
[32]
Enrique Perez Gonzalez and J. Reiss. Anti-feedback device. Patent GB0808646.4, filed 13 June 2008 and published 19 November 2009. [ bib ]
[33]
R. Stewart and M. Sandler. Generating a spatial average reverberation tail across mutiple impulse responses. In Proceedings of the AES 35th International Conference on Audio for Games, London, UK, 11-13 February 2009. [ bib ]
[34]
D. Stowell and M. D. Plumbley. Fast multidimensional entropy estimation by k-d partitioning. IEEE Signal Processing Letters, 16(6):537--540, June 2009. [ bib | DOI ]
[35]
D. Stowell, A. Robertson, N. Bryan-Kinns, and M. D. Plumbley. Evaluation of live human-computer music-making: quantitative and qualitative approaches. International Journal of Human-Computer Studies, 2009. [ bib ]
[36]
Michael Terrell and Joshua Reiss. Automatic noise gate settings for multitrack drum recordings. In DAFx-09, 9 2009. [ bib | .pdf ]
[37]
Michael Terrell and Joshua Reiss. Optimizing the re-enforcement effect of early reflections on aspects of live musical performance using the image source method. In Audio Engineering Society Convention 127, 10 2009. [ bib | http ]
[38]
Michael J. Terrell and Joshua D. Reiss. Automatic monitor mixing for live musical performance. J. Audio Eng. Soc, 57(11):927--936, 2009. [ bib | http ]
[39]
D. Tidhar, G. Fazekas, S. Kolozali, and M. Sandler. Publishing music similarity features on the semantic web. 2009. [ bib ]
[40]
K. Toyama and M. D. Plumbley. Estimating phase linearity in the frequency-domain ica demixing matrix. In Proc. ICA 2009, 2009. [ bib | .pdf ]
[41]
K. Toyama and M. D. Plumbley. Using phase linearity in frequency-domain ica to tackle the permutation problem. In Proc ICASSP 2009, 2009. [ bib | .pdf ]
[42]
X. Wen and M. Sandler. Additive and multiplicative reestimation schemes for the sinusoid modeling of audio. 2009. [ bib ]
[43]
X. Wen and M. Sandler. Composite spectrogram using multiple fourier transforms. IET Signal Processing, 2009. [ bib ]
[44]
X. Wen and M. Sandler. Notes on model-based non-stationary sinusoid estimation methods using derivatives. 2009. [ bib ]
[45]
X. Wen and M. Sandler. Source-filter modeling in sinusoid domain. 2009. [ bib ]
[46]
Wen Xue and M. Sandler. Composite spectrogram using multiple fourier transforms. IET Signal Processing, 3(1):51--63, 2009. [ bib ]
[47]
Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli, and Giorgio Zoia. A computationally efficient method for polyphonic pitch estimation. EURASIP Journal on Advances in Signal Processing, 2009. [ bib | DOI | .html ]

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