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2016

[1]
N Barascud, MT Pearce, TD Griffiths, KJ Friston, and M Chait. Brain responses in humans reveal ideal observer-like sensitivity to complex acoustic patterns. PROCEEDINGS OF THE NATIONAL ACADEMY OF SCIENCES OF THE UNITED STATES OF AMERICA, 113:E616--E625, Feb 2016. [ bib | DOI | http ]
[2]
E BENETOS, G Lafay, M Lagrange, and MD Plumbley. Detection of overlapping acoustic events using a temporally-constrained probabilistic model. pages 6450--6454, Emmanouil Benetos, Queen Mary University of London, School of Electronic Engineering and Computer Science, Mile End Road, London, E1 4NS, United Kingdom, Mar 2016. Shanghai, China, IEEE. [ bib | .html ]
[3]
B Gingras, MT Pearce, M Goodchild, RT Dean, G Wiggins, and S McAdams. Linking melodic expectation to expressive performance timing and perceived musical tension. Journal of experimental psychology. Human perception and performance, 42:594--609, Apr 2016. [ bib | DOI ]
[4]
Nicholas Jillings, Brecht De Man, David Moffat, and Joshua D. Reiss. Web audio evaluation tool: A framework for subjective assessment of audio. In Proc. 2nd Web Audio Conference. Web Audio Conference, April 2016. [ bib ]
[5]
Lucas Mengual, David Moffat, and Joshua D. Reiss. Modal synthesis of weapon sounds. In Proc. Audio Engineering Society Conference: 61st International Conference: Audio for Games. Audio Engineering Society, 2016. [ bib ]
[6]
David Moffat and Joshua D. Reiss. Implementation and assessment of joint source separation and dereverberation. In Proc. Audio Engineering Society Conference: 60th International Conference: DREAMS (Dereverberation and Reverberation of Audio, Music, and Speech). Audio Engineering Society, 2016. [ bib ]
[7]
MT Pearce, DW Zaidel, O Vartanian, M Skov, H Leder, A Chatterjee, and M Nadal. Neuroaesthetics: The cognitive neuroscience of aesthetic experience. Perspectives on psychological science : a journal of the Association for Psychological Science, 11:265--279, Mar 2016. [ bib | DOI ]
[8]
S Sigtia, E BENETOS, and S Dixon. An end-to-end neural network for polyphonic piano music transcription. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 24:927--939, May 2016. [ bib | DOI | http ]
[9]
Y Song, S Dixon, MT Pearce, and AR Halpern. Perceived and induced emotion responses to popular music: Categorical and dimensional models. Music Perception, 2016. to appear. [ bib ]
[10]
FS THALMANN, perez carillo, fazekas, wiggins, and sandler. The mobile audio ontology: Experiencing dynamic music objects on mobile devices. 2016. [ bib ]
[11]
Luca Turchet, David Moffat, Ana Tajadura-Jiménez, Joshua D. Reiss, and Tony Stockman. What do your footsteps sound like? an investigation on interactive footstep sounds adjustment. Applied Acoustics, 2016. "In Press". [ bib ]
[12]
L Wang, T-K Hon, JD Reiss, and A Cavallaro. Self-localization of ad-hoc arrays using time difference of arrivals. IEEE TRANSACTIONS ON SIGNAL PROCESSING, 64:1018--1033, Feb 2016. [ bib | DOI | http ]

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