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2017

[1]
S Abdallah, E Benetos, N Gold, S Hargreaves, T Weyde, and D Wolff. The digital music lab: A big data infrastructure for digital musicology. ACM Journal on Computing and Cultural Heritage, 10, Jan 2017. [ bib | DOI | http ]
[2]
K Agres, S Abdallah, and M Pearce. Information-theoretic properties of auditory sequences dynamically influence expectation and memory. Cognitive Science, Jan 2017. [ bib | DOI ]
[3]
K Agres, D Herremans, L Bigo, and D Conklin. Harmonic structure predicts the enjoyment of uplifting trance music. Frontiers in Psychology, 7, Jan 2017. [ bib | DOI ]
[4]
J Armitage, F Morreale, and A McPherson. "the finer the musician, the smaller the details": Nimecraft under the microscope. In http://www.nime.org/archives/. Copenhagen, Denmark, New Instruments for Musical Expression, May 2017. [ bib | http ]
[5]
S Bechhofer, K Page, D Weigl, G FAZEKAS, and T Wilmering. Linked data publication of live music archives and analyses. In The Semantic Web, proc. of the 16th International Semantic Web Conference (ISWC), Oct. 21-25, Vienna, Austria, volume 10588 of Lecture Notes in Computer Science. Springer, Cham, Oct 2017. date-added: 2017-12-22 15:39:21 +0000 date-modified: 2017-12-22 15:53:18 +0000 keywords: Linked Data, Semantic Audio, Semantic Web, live music archive local-url: https://link.springer.com/chapter/10.1007/978-3-319-68204-4_3 bdsk-url-1: https://iswc2017.semanticweb.org/wp-content/uploads/papers/MainProceedings/221.pdf bdsk-url-2: https://dx.doi.org/10.1007/978-3-319-68204-4_3. [ bib | DOI | .pdf ]
[6]
E Benetos. Polyphonic note and instrument tracking using linear dynamical systems. In 2017 AES International Conference on Semantic Audio. Erlangen, Germany, Audio Engineering Society, Jun 2017. [ bib | http ]
[7]
E Benetos, G Lafay, M Lagrange, and MD Plumbley. Polyphonic sound event tracking using linear dynamical systems. IEEE/ACM Transactions on Audio, Speech and Language Processing, 25:1266--1277, May 2017. [ bib | DOI | http ]
[8]
SMA Bin, N Bryan-Kinns, and A McPherson. Hands where we can see them! investigating the impact of gesture size on audience perception. Shanghai, China, Oct 2017. [ bib ]
[9]
SMA BIN, F MORREALE, N BRYAN-KINNS, and A MCPHERSON. In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performance. Mumbai, India, Sep 2017. [ bib ]
[10]
D Cameron, K Potter, G Wiggins, and MT PEARCE. Perception of rhythmic similarity is asymmetrical, and is influenced by musical training, expressive performance, and musical context. Timing and Time Perception, Jun 2017. [ bib | DOI ]
[11]
K CHOI, G FAZEKAS, M SANDLER, and C Kyunghyun. Transfer learning for music classification and regression tasks. Oct 2017. [ bib ]
[12]
E Chourdakis and J REISS. A machine-learning approach to application of intelligent artificial reverberation. Journal of the Audio Engineering Society, 65, Feb 2017. [ bib ]
[13]
ET CHOURDAKIS and JD REISS. Constructing narrative using a generative model and continuous action policies. In http://aclanthology.info/events/ws-2017. University of Santiago De Compostela, September 2017. [ bib ]
[14]
T Deacon, T Stockman, and M Barthet. User experience in an interactive music virtual reality system: An exploratory study. volume 10525 LNCS, pages 192--216. Springer, Sep 2017. [ bib | DOI ]
[15]
B Di Giorgi, S Dixon, M Zanoni, and A Sarti. A data-driven model of tonal chord sequence complexity. IEEE/ACM Transactions on Audio, Speech, and Language Processing, pages 1--1, Sep 2017. [ bib | DOI ]
[16]
S Ewert and MB Sandler. Structured dropout for weak label and multi-instance learning and its application to score-informed source separation. In ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings, pages 2277--2281, Jun 2017. [ bib | DOI ]
[17]
D FANO YELA, SE Ewert, MS Sandler, and DF FitzGerald. Interference reduction in music recordings combining kernel additive modelling and non-negative matrix factorization. New Orleans, 2017. [ bib ]
[18]
C Goddard, M BARTHET, and G Wiggins. Designing computationally creative musical performance systems. In dl.acm.org, volume Proceedings of AM ’17. Queen Mary University of London, London, ACM, Aug 2017. [ bib | DOI | http ]
[19]
AR Halpern, I Zioga, M Shankleman, J Lindsen, MT Pearce, and J Bhattacharya. That note sounds wrong! age-related effects in processing of musical expectation. Brain Cogn, 113:1--9, Apr 2017. [ bib | DOI | http ]
[20]
JTF HARRISON and AP McPherson. Adapting the bass guitar for one-handed playing. Journal of New Music Research, Jun 2017. [ bib | DOI ]
[21]
PGT HEALEY and Duffy. A new medium for remote music tuition. Journal of Music, Technology and Education, 10, 2017. [ bib | DOI ]
[22]
D Herremans, C-H Chuan, and E Chew. A functional taxonomy of music generation systems. ACM COMPUTING SURVEYS, 50(ARTN 69), Nov 2017. [ bib | DOI | http ]
[23]
D HERREMANS and CH Chuan. A multi-modal platform for semantic music analysis: visualizing audio- and score-based tension. In IEEEInternational Conference on Semantic Computing. San Diego, Jan 2017. [ bib ]
[24]
D Herremans, S Yang, CH Chuan, M Barthet, and E Chew. Imma-emo: A multimodal interface for visualising score- and audio-synchronised emotion annotations. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[25]
RH Jack, T Stockman, and A McPherson. Maintaining and constraining performer touch in the design of digital musical instruments. In TEI 2017 - Proceedings of the 11th International Conference on Tangible, Embedded, and Embodied Interaction, pages 717--720, Mar 2017. [ bib | DOI ]
[26]
RH Jack, T Stockman, and A McPherson. Rich gesture, reduced control: The influence of constrained mappings on performance technique. In ACM International Conference Proceeding Series, volume Part F129150, Jun 2017. [ bib | DOI ]
[27]
G Lafay, E Benetos, and M Lagrange. Sound event detection in synthetic audio: Analysis of the dcase 2016 task results. In http://www.waspaa.com/, pages 11--15. New Paltz, NY, USA, IEEE, Oct 2017. [ bib | DOI | http ]
[28]
L Marengo, G FAZEKAS, and A TOMBROS. The interaction of casual users with digital collections of visual art: An exploratory study of the wikiart website. In 19th International Conference on Human-Computer Interaction (HCI’17), 9-14 July, Vancouver, Canada, volume 714 of Communications in Computer and Information Science. Vancouver, Canada, Springer, Cham, Jul 2017. date-added: 2017-12-22 18:06:25 +0000 date-modified: 2017-12-22 18:42:08 +0000 keywords: information retrieval, information seeking, casual interaction, curiosity, engagement publisher-url: https://link.springer.com/chapter/10.1007%2F978-3-319-58753-0_82 bdsk-url-1: http://www.semanticaudio.net/files/papers/marengo2017hci.pdf bdsk-url-2: https://dx.doi.org/10.1007/978-3-319-58753-0_82. [ bib | DOI ]
[29]
A McArthur, M Sandler, and R Stewart. Distance in audio for vr: Constraints and opportunities. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[30]
A McLeod, R Schramm, M Steedman, and E BENETOS. Automatic transcription of polyphonic vocal music. Applied Sciences, 7(1285), Dec 2017. [ bib | DOI | http ]
[31]
A MEHRABI, S Dixon, and Sandler. Vocal imitation of synthesised sounds varying in pitch, loudness and spectral centroid. Journal of the Acoustical Society of America, 141:783--796, Feb 2017. [ bib | DOI | http ]
[32]
A Mehrabi, C Harte, C Baume, and S Dixon. Music thumbnailing for radio podcasts: A listener evaluation. AES: Journal of the Audio Engineering Society, 65:474--481, Jun 2017. [ bib | DOI ]
[33]
L Men, N Bryan-Kinns, AS Hassard, and Z Ma. The impact of transitions on user experience in virtual reality. In Proceedings - IEEE Virtual Reality, pages 285--286, Apr 2017. [ bib | DOI ]
[34]
A Milo and JD Reiss. Aural fabric: An interactive textile sonic map. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[35]
DJ MOFFAT, D Ronan, and JD Reiss. Unsupervised taxonomy of sound effects. Edinburgh, UK, Sep 2017. [ bib ]
[36]
Z Mohamad, S Dixon, and C Harte. Pickup position and plucking point estimation on an electric guitar via autocorrelation. J Acoust Soc Am, 142:3530--3540, Dec 2017. [ bib | DOI | http ]
[37]
V Morfi and DF STOWELL. Deductive refinement of species labelling in weakly labelled birdsong recordings. In International Conference on Acoustics, Speech and Signal Processing (ICASSP2017 ). New Orleans, USA, 2017. [ bib ]
[38]
G MORO, A MCPHERSON, and M SANDLER. Dynamic behaviour of the keyboard action on the hammond organ and its perceptual significance. Journal of the Acoustical Society of America, 2017. [ bib ]
[39]
F Morreale, G Moro, A Chamberlain, S Benford, and A MCPHERSON. Building a maker community around an open hardware platform. In ACM SIGCHI Conference on Human Factors in Computing Systems (CHI). Denver, CO, USA, May 2017. [ bib ]
[40]
E NAKAMURA, K Yoshii, and S Dixon. Note value recognition for piano transcription using markov random fields. IEEE/ACM Transactions on Audio, Speech, and Language Processing, pages 1--1, Jun 2017. [ bib | DOI ]
[41]
KO O'Hanlon, S Ewert, J Pauwels, and M Sandler. Improved template-based chord recognition using the crp feature. Jun 2017. [ bib ]
[42]
I Olowe, M Grierson, and M Barthet. Featur.ux.av: A live sound visualization system using multitrack audio. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[43]
I Olowe, M Grierson, and M Barthet. User requirements for live sound visualization system using multitrack audio. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[44]
M PANTELI, E BENETOS, and S DIXON. A computational study on outliers in world music. PLoS ONE, 12(e0189399), Dec 2017. [ bib | DOI | http ]
[45]
M Panteli, R Bittner, JP Bello, and S Dixon. Towards the characterization of singing styles in world music. In ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings, pages 636--640, Jun 2017. [ bib | DOI ]
[46]
M Pearce and D Müllensiefen. Compression-based modelling of musical similarity perception. Journal of New Music Research, 46:135--155, Apr 2017. peerreview_statement: The publishing and review policy for this title is described in its Aims & Scope. aims_and_scope_url: http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=nnmr20. [ bib | DOI ]
[47]
E Quinton, S Dixon, M Sandler, and KO O'Hanlon. Tracking metrical structure changes with sparse-nmf. Jun 2017. [ bib ]
[48]
J REISS. User preference on artificial reverberation and delay time parameters. Journal of the Audio Engineering Society, Feb 2017. [ bib ]
[49]
J REISS and B De Man. Perceptual evaluation and analysis of reverberation in multitrack music production. Journal of the Audio Engineering Society, Feb 2017. [ bib | DOI ]
[50]
AJ Russell, E Benetos, and AS d'Avila Garcez. On the memory properties of recurrent neural models. In International Joint Conference on Neural Networks (IJCNN 2017). Anchorage, Alaska, USA, May 2017. [ bib ]
[51]
R Schramm and E Benetos. Automatic transcription of a cappella recordings from multiple singers. Erlangen, Germany, Audio Engineering Society, Jun 2017. [ bib | DOI | http ]
[52]
R Schramm, A McLeod, M Steedman, and E Benetos. Multi-pitch detection and voice assignment for a cappella recordings of multiple singers. pages 552--559. Suzhou, China, ISMIR, Oct 2017. [ bib | http ]
[53]
DRW Sears, MT PEARCE, WE Caplin, and S McAdams. Simulating melodic and harmonic expectations for tonal cadences using probabilistic models. Journal of New Music Research, Sep 2017. [ bib | DOI ]
[54]
R SELFRIDGE, D Moffat, and J Reiss. Real-time physical model for synthesis of sword swing sounds. Espoo, Finland, Jul 2017. [ bib ]
[55]
R SELFRIDGE, D Moffat, J Reiss, and E Avital. Real-time physical model of an aeolian harp. London, UK, Jul 2017. [ bib ]
[56]
R Selfridge, D Moffat, and JD Reiss. Physically derived sound synthesis model of a propeller. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[57]
R Selfridge, D Moffat, and JD Reiss. Sound synthesis of objects swinging through air using physical models. Applied Sciences (Switzerland), 7, Nov 2017. [ bib | DOI ]
[58]
Y Song, Y Wang, P Bull, and JD Reiss. Performance evaluation of a new flexible time division multiplexing protocol on mixed traffic types. In Proceedings - International Conference on Advanced Information Networking and Applications, AINA, pages 23--30, May 2017. [ bib | DOI ]
[59]
RL STEWART and S Skach. Initial investigations into characterizing diy e-textile stretch sensors. London, UK, Jun 2017. [ bib | DOI ]
[60]
D Stowell, E Benetos, and LF Gill. On-bird sound recordings: Automatic acoustic recognition of activities and contexts. IEEE/ACM Transactions on Audio, Speech and Language Processing, 25:1193--1206, May 2017. [ bib | DOI | http ]
[61]
BLT STURM and O Ben-Tal. Bringing the models back to music practice: The evaluation of deep learning approaches to music transcription modelling and generation. Journal of Creative Music Systems, 2017. [ bib ]
[62]
JJ Valero-Mas, E Benetos, and JM Iñesta. Assessing the relevance of onset information for note tracking in piano music transcription. In 2017 AES International Conference on Semantic Audio. Erlangen, Germany, Audio Engineering Society, Jun 2017. [ bib | http ]
[63]
B van der Weij, MT Pearce, and H Honing. A probabilistic model of meter perception: Simulating enculturation. Front Psychol, 8:824--824, May 2017. [ bib | DOI | http ]
[64]
S WANG, SEBASTIAN Ewert, and SIMON Dixon. Identifying missing and extra notes in piano recordings using score-informed dictionary learning. IEEE/ACM Transactions on Audio, Speech and Language Processing, 2017. [ bib | DOI ]
[65]
B White, A Mehrabi, and MB Sandler. An archival echo: Recalling the public domain through real-time query by vocalisation. In ACM International Conference Proceeding Series, volume Part F131930, Aug 2017. [ bib | DOI ]
[66]
WJ Wilkinson, JD Reiss, and D Stowell. Latent force models for sound: Learning modal synthesis parameters and excitation functions from audio recordings. In DAFx 2017 - Proceedings of the 20th International Conference on Digital Audio Effects, pages 56--63, Oct 2017. [ bib ]
[67]
Y Wu and N Bryan-Kinns. Supporting non-musicians' creative engagement with musical interfaces. In C and C 2017 - Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition, pages 275--286, Jun 2017. [ bib | DOI ]
[68]
Y Wu, L Zhang, N Bryan-Kinns, and M Barthet. Open symphony: Creative participation for audiences of live music performances. IEEE Multimedia, 24:48--62, Feb 2017. [ bib | DOI ]
[69]
L Yang, A Maezawa, JBL Smith, and E Chew. Probabilistic transcription of sung melody using a pitch dynamic model. In ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings, pages 301--305, Jun 2017. [ bib | DOI ]
[70]
L YANG, SAYID-KHALID Rajab, and E Chew. Filter diagonalisation method for music signal analysis: Frame-wise vibrato detection and estimation. Journal of Mathematics and Music, Mar 2017. [ bib ]
[71]
A Ycart and E Benetos. A study on lstm networks for polyphonic music sequence modelling. pages 421--427. Suzhou, China, ISMIR, Oct 2017. [ bib | http ]
[72]
A Zacharakis, M Terrell, AR Simpson, K Pastiadis, and J Reiss. Rearrangement of timbre space due to background noise: Behavioural evidence and acoustic correlates. Acta Acustica united with Acustica, 103:288--298, Mar 2017. [ bib | DOI ]
[73]
X Zhu, Y Wang, W Hu, and JD Reiss. Practical considerations on optimising multistage decimation and interpolation processes. In International Conference on Digital Signal Processing, DSP, pages 370--374, Mar 2017. [ bib | DOI ]

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