Centre for Digital Music

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Academic Staff & Fellows

Prof Mark Plumbley Director
Prof Mark Sandler Chief Scientist
Dr Nick Bryan-Kinns Senior Lecturer
Prof Elaine Chew Professor
Prof Laurent Daudet Visiting Senior Lecturer
Simon Davidmann Visiting Professor
Dr Simon Dixon Reader
Prof Steven Downie Visiting Professor
Prof Pat Healey Professor
Peter Langley Visiting Professorial Fellow
Dr Matthias Mauch RAEng/EPSRC Research Fellow, Lecturer
Dr Andrew McPherson Lecturer
Dr Marcus Pearce Lecturer
Dr Matt Purver Lecturer
Dr Joshua D Reiss Senior Lecturer
Dr Andrew Robertson RAEng/EPSRC Research Fellow
Dr Tony Stockman Senior Lecturer
Martyn Ware Visiting Professorial Fellow
Prof Geraint Wiggins Professor

Research Manager

Dr Panos Kudumakis Music Rights Management & Standardisation

Research Staff

Dr Samer Abdallah Techniques and Algorithms for Understanding the Information Dynamics of Music
Dr Alo Allik A Shared Open Vocabulary for Audio Research and Retrieval
Dr Daniele Barchiesi Analysis and classification of sound environments
Dr Mathieu Barthet Making Musical Mood Metadata - M4
Dr Gerard Briscoe Digital Culture
Chris Cannam Sustainable Software for Audio and Music Research
Dr Sebastian Ewert
Dr Gyorgy Fazekas Semantic Music Analysis for Intelligent Editing
Luís Figueira Sustainable Software for Audio and Music Research
Dr Boris Mailhé Machine Listening using Sparse Representations
Fiore Martin Design Patterns for Inclusive Collaboration (DePIC)
Brandon Mechtley Acoustic Analysis Tools for Sound Archives
Dr Oussama Metatla Design Patterns for Inclusive Collaboration (DePIC)
Dr Adam Stark Measuring and Enhancing Expressive Musical Performance with Digital Instruments
Dr Dan Stowell Real-Time Analysis of Voice for Musical Applications

Research Students

Amélie Anglade Logic-based Modelling of Musical Harmony for Automatic Characterisation, Classification and Recommendation
Tian Cheng Multi-instrument Music Transcription using Non-negative Matrix Decomposition Methods and Physical Models
Magdalena Chudy Music Performer Recognition Using Timbre Features
Alice Clifford
Reducing Artifacts Between Source and Microphone in Live Sound
Henrik Ekeus Applying Models of Perception and Cognition to the Design of Artistic Generative Systems
Peter Foster Audio-based Music Structure Analysis and Prediction
Dimitrios Giannoulis
Recognition of Sound Sources and Objects in Music and Environmental Audio
Aris Gretsistas
Compressed Sensing of Audio Scenes
Ken O'Hanlon
Audio-visual analysis
Steven Hargreaves
Structural Segmentation of Multitrack Audio
Fabio Hedayioglu DigiScope
Simon Hendry  
Holger Kirchhoff Semi-automatic music transcription
Sefki Kolozali
Katerina Kosta Mathematical models for musical performance analysis
Lesley Mearns
Voice Leading as a Prime Motivator in Music
Martin Morrell 3D sound localisation
Mehdi Shokri Zadeh Real Time Audio Source Separation
Siddharth Sigtia Deep learning
Andrew Simpson Signal-Dependent Effects of Audio System Nonlinearity on the Loudness Function
Chunyang Song Intelligent Drum Accompaniment System
Yading Song Music Recommendation
Michael Terrell
Intelligent Mixing Systems for Live Musical
Mi Tian  
Robert Tubb  
Bogdan Vera Predictive virtual cues for network music performance
Yonghao Wang
Intelligent Audio Consoles
Sonia Wilkie Perceived Motion in Space
Thomas Wilmering
Luwei Yang  
Asterios Zacharakis

Visiting Researchers

Dr Roland Badeau [Institut Mines-Télécom, Télécom ParisTech, CNRS LTCI]
Dr Bryan Pardo [Northwestern University]
Dr Bob Sturm [Aalborg University Copenhagen]

See also: past members of C4DM