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Proceedings of the 2nd AES Workshop on Intelligent Music Production

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Download the proceedings as a ZIP file.

Editors: Brecht De Man and Joshua D. Reiss

Aurélien Antoine, Duncan Williams and Eduardo Miranda Towards a timbre classification system for orchestral excerpts [pdf]
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Keita Arimoto Identification of drum overhead-microphone tracks in multi-track recordings [pdf]
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Carsten Bönsel, Jakob Abeßer, Sascha Grollmisch and Stylianos Ioannis Mimilakis Automatic best take detection for electric guitar and vocal studio recordings [pdf]
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Andrew Bourbon and Simon Zagorski-Thomas Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena [pdf]
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Owen Campbell, Curtis Roads, Andrés Cabrera, Matthew Wright and Yon Visell ADEPT: A framework for adaptive digital audio effects [pdf]
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Brecht De Man, Nicholas Jillings, David Moffat, Joshua D. Reiss and Ryan Stables Subjective comparison of music production practices using the Web Audio Evaluation Tool [pdf]
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Brecht De Man and Joshua D. Reiss The Open Multitrack Testbed: Features, content and use cases [pdf]
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Emmanuel Deruty Goal-oriented mixing [pdf]
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Christopher Dewey and Jonathan P. Wakefield Audio interfaces should be designed based on data visualisation first principles [pdf]
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Sean Enderby, Thomas Wilmering, Ryan Stables and György Fazekas A semantic architecture for knowledge representation in the digital audio workstation [pdf]
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Steven Gelineck and Anders Kirk Uhrenholt Exploring visualisation of channel activity, levels and EQ for user interfaces implementing the stage metaphor for music mixing [pdf]
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Nicholas Jillings and Ryan Stables JSAP: Intelligent audio plugin format for the Web Audio API [pdf]
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Iver Jordal Evolving neural networks for cross-adaptive audio effects [pdf]
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Hyunkook Lee Towards the development of intelligent microphone array designer [pdf]
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Sean McGrath, Adrian Hazzard, Alan Chamberlain and Steve Benford An ethnographic exploration of studio production practice [pdf]
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Kirk McNally What the masters teach us: New approaches in audio engineering and music production education [pdf]
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Adib Mehrabi, Simon Dixon and Mark Sandler Towards a comprehensive dataset of vocal imitations of drum sounds [pdf]
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Stylianos Ioannis Mimilakis, Estefanía Cano, Jakob Abeßer and Gerald Schuller New sonorities for jazz recordings: Separation and mixing using deep neural networks [pdf]
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Gerard Roma, Emad M. Grais, Andrew J. R. Simpson and Mark D. Plumbley Music remixing and upmixing using source separation [pdf]
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Spyridon Stasis, Jason Hockman and Ryan Stables Descriptor sub-representations in semantic equalisation [pdf]
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Simon Waloschek, Axel Berndt, Benjamin W. Bohl and Aristotelis Hadjakos Accelerating the editing phase in music productions using interactive scores [pdf]
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Dominic Ward and Joshua D. Reiss Loudness algorithms for automatic mixing [pdf]
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Alex Wilson and Bruno Fazenda An evolutionary computation approach to intelligent music production, informed by experimentally gathered domain knowledge [pdf]
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