Proceedings of the 2nd AES Workshop on Intelligent Music Production
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Editors: Brecht De Man and Joshua D. Reiss
| Aurélien Antoine, Duncan Williams and Eduardo Miranda | Towards a timbre classification system for orchestral excerpts | [pdf] [BibTeX] |
| Keita Arimoto | Identification of drum overhead-microphone tracks in multi-track recordings | [pdf] [BibTeX] |
| Carsten Bönsel, Jakob Abeßer, Sascha Grollmisch and Stylianos Ioannis Mimilakis | Automatic best take detection for electric guitar and vocal studio recordings | [pdf] [BibTeX] |
| Andrew Bourbon and Simon Zagorski-Thomas | Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena | [pdf] [BibTeX] |
| Owen Campbell, Curtis Roads, Andrés Cabrera, Matthew Wright and Yon Visell | ADEPT: A framework for adaptive digital audio effects | [pdf] [BibTeX] |
| Brecht De Man, Nicholas Jillings, David Moffat, Joshua D. Reiss and Ryan Stables | Subjective comparison of music production practices using the Web Audio Evaluation Tool | [pdf] [BibTeX] |
| Brecht De Man and Joshua D. Reiss | The Open Multitrack Testbed: Features, content and use cases | [pdf] [BibTeX] |
| Emmanuel Deruty | Goal-oriented mixing | [pdf] [BibTeX] |
| Christopher Dewey and Jonathan P. Wakefield | Audio interfaces should be designed based on data visualisation first principles | [pdf] [BibTeX] |
| Sean Enderby, Thomas Wilmering, Ryan Stables and György Fazekas | A semantic architecture for knowledge representation in the digital audio workstation | [pdf] [BibTeX] |
| Steven Gelineck and Anders Kirk Uhrenholt | Exploring visualisation of channel activity, levels and EQ for user interfaces implementing the stage metaphor for music mixing | [pdf] [BibTeX] |
| Nicholas Jillings and Ryan Stables | JSAP: Intelligent audio plugin format for the Web Audio API | [pdf] [BibTeX] |
| Iver Jordal | Evolving neural networks for cross-adaptive audio effects | [pdf] [BibTeX] |
| Hyunkook Lee | Towards the development of intelligent microphone array designer | [pdf] [BibTeX] |
| Sean McGrath, Adrian Hazzard, Alan Chamberlain and Steve Benford | An ethnographic exploration of studio production practice | [pdf] [BibTeX] |
| Kirk McNally | What the masters teach us: New approaches in audio engineering and music production education | [pdf] [BibTeX] |
| Adib Mehrabi, Simon Dixon and Mark Sandler | Towards a comprehensive dataset of vocal imitations of drum sounds | [pdf] [BibTeX] |
| Stylianos Ioannis Mimilakis, Estefanía Cano, Jakob Abeßer and Gerald Schuller | New sonorities for jazz recordings: Separation and mixing using deep neural networks | [pdf] [BibTeX] |
| Gerard Roma, Emad M. Grais, Andrew J. R. Simpson and Mark D. Plumbley | Music remixing and upmixing using source separation | [pdf] [BibTeX] |
| Spyridon Stasis, Jason Hockman and Ryan Stables | Descriptor sub-representations in semantic equalisation | [pdf] [BibTeX] |
| Simon Waloschek, Axel Berndt, Benjamin W. Bohl and Aristotelis Hadjakos | Accelerating the editing phase in music productions using interactive scores | [pdf] [BibTeX] |
| Dominic Ward and Joshua D. Reiss | Loudness algorithms for automatic mixing | [pdf] [BibTeX] |
| Alex Wilson and Bruno Fazenda | An evolutionary computation approach to intelligent music production, informed by experimentally gathered domain knowledge | [pdf] [BibTeX] |
